Showing posts with label G.K. Chesterton. Show all posts
Showing posts with label G.K. Chesterton. Show all posts

01 April, 2025

Everything that needs saying has been said.

At this point, blogging or writing ought to be no more than the compiling of a commonplace. G.K. Chesterton is a particularly rich source.

We say that the most dangerous criminal now is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral men; my heart goes out to them. They accept the essential ideal of man; they merely seek it wrongly. Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. But philosophers dislike property as property; they wish to destroy the very idea of personal possession. Bigamists respect marriage, or they would not go through the highly ceremonial and even ritualistic formality of bigamy. But philosophers despise marriage as marriage. Murderers respect human life; they merely wish to attain a greater fulness of human life in themselves by the sacrifice of what seems to them to be lesser lives. But philosophers hate life itself, their own as much as other people’s.—G.K. Chesterton, The Man Who Was Thursday

If this was true in 1908, how much truer is it after 1968 and the intellectual ravages of deconstruction?

31 March, 2025

What is there poetical about being in revolt?

You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is—revolting. It's mere vomiting.—G.K. Chesterton, The Man Who Was Thursday

In art, love of the law translates into two complimentary forms of piety: the piety of craft married to the piety of subject matter.

The piety of craft: because fundamental to craft is reverence for tradition. The modern devaluation of craft is a profanation.

Sacred time is circular. It is an incessant return to origins. Therefore, sacred art finds invention in the  retelling of the same stories, in the reverential recreation of the same forms. The modern striving for novelty is a profanation.

15 December, 2023

One of G.K. Chesterton's profound insights

was that in the modern world, Christian orthodoxy has not been supplanted by reason, as the naïve advocates of enlightenment had hoped, but by diffuse forms of credulousness. In the Father Brown stories, the priest stands out for being the worldly one, dogged in his insistence on rational explanations for mysterious occurrences that others too hastily attribute to supernatural causes.

Skepticism could only injure faith not supplant it, and from that injury issued the half-baked paganism that defines modern "spirituality."

20 August, 2020

We might, no doubt,

find it a nuisance to count all the blades of grass or all the leaves of the trees; but this would not be because of our boldness or gaiety, but because of our lack of boldness and gaiety. The bore would go onward, bold and gay, and find the blades of grass as splendid as the swords of an army. The bore is stronger and more joyous than we are; he is a demi-god-nay, he is a god. For it is the gods who do not tire of the iteration of things; to them the nightfall is always new, and the last rose as red as the first.

G.K. Chesterton, “On Mr. Rudyard Kipling and Making the World Small“

All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.

G.K. Chesterton, “The Ethics of Elfland”